Led all design work necessary for client contracts. Managed and mentored design and web development staff. The main project I was responsible for was the complete layout and design of Mile High Sports Magazine.
New business development, creative direction, art direction and design.
Magazine photo direction and art direction for Volkswagen's Das Auto Magazine. Interactive and graphic design direction across all clients.
Concert material art direction and design. Branding consultant.
Interactive and graphic design.
Agency: Draftfcb, Venezuela
Creative Directors: Paula Camino, Exequiel Rodriguez
Art Director: Miriangela Villegas
Photographers: Alexis Da Mota, Luis Padilla
Illustrations: Francisco Jimenez
Copy: “See things clearly.”
Positioning
Optica Caroni lens are like viewing the world as an obsessive compulsive person where the finest of details are noticed.
Consumer Promise
With Optica Caroni you will see the world through a lens like never before.
Visual: An ultra modern and immaculate kitchen with an over-sized ant on the floor. The floor of the kitchen is close in color to the ant.
Copy: “See things clearly.”
Agency: DLV BBDO, Italy
Creative Directors: Federico Pepe, Stefania Siani
Art Director: Matteo Pozzi
Copywriter: Dennis Casale
Illustrations: David Calluori
Copy: “Looking at the world through children’s eyes.”
Positioning
CAM employees are encouraged to think like a child, to have the same sense of imagination as they do toward the world, and to look at everything as if it were the first time they had ever seen it. Because of this, CAM strollers are made and designed with the same sense of creativeness and imagination your child has.
Consumer Promise
No other company creates its products with the same child like wonderment and creativeness as CAM. No matter where your child’s imagination may him or her, CAM products will securely protect them for their journey.
Visual: A baby rides in one of those carriages that attach to the back of a bicycle. But instead of it being attached to a bicycle, it is floating at sea and attached to a beautiful yellow rubber ducky that’s pulling it along.
Copy: “Looking at the world through children’s eyes.”
Agency: Mohallem/Artplan, São Paulo, Brazil
Creative Director: Eugênio Mohallem
Head of Art: Marcus Kawamura
Art Director: André Batista
Copywriter: Rodrigo Resende
Photographers: Caio Miranda / AGB Photos, OtherImages, GettyImages
Retouching: Ariê Magalhães
Copy: “Don’t let your work be mistreated.”
Positioning
There is a deep connection we make to the things we build. We see ourselves in our work, and as such, often become emotionally attached to it. So it’s only natural for us to be worried about the integrity of our work when passing it along to another for finishing, which is also why we carefully consider who to collaborate with. To alleviate the concerns designers have about printers upholding the quality of their work this campaign positions MAIS as the alternative to negligent competitors by relating to situations in which carelessness could lead to disaster.
Consumer Promise
MAIS will finish your work with highest level of care and quality.
Visual: Two UPS/FedEx looking men toss a press sheet with a package labeled FRAGILE printed on it into a warehouse.
Copy: “Don’t let your work be mistreated.”
Agency: Longplay 360, Sao Paulo, Brazil
Creative Director: Fernando Luna
Art Director: Eduardo Basque
Copywriter: Francine Bittencourt
Illustrator: Natan Nakel
Digital Artist: Luiz Fasoli
Copy: “Do you want your garden to live longer? Ask me how.”
Positioning
To evoke the deep humanist emotion of altruism within the horticulturists, these ads seek to humanize the various plants grown through their personification with relatable health concerns.
Consumer Promise
Natureza Magazine will teach you insider tricks for healthier plants.
Visual: A planted flower blooms in the lower right and the sketch is of the flower smothered in soap suds taking a shower. The entire ad is a light blue.
Copy: “Do you want your flowers to smell better? Ask me how.”
Agency: Africa, São Paulo, Brazil
Chief Creative Officer: Sergio Gordilho
Executive Creative Director: Flavio Waiteman
Creative Directors: Humberto Fernandez, Rafael Pitanguy
Art Director: Humberto Fernandez
Copywriter: Rafael Pitanguy
Photographer: Platinum
Copy: “The offroad citysized.”
Positioning
Many people challenge the practicality of driving a vehicle designed for offroad use in a city environment. Enter the Mitsubishi ASX—the first offroad SUV designed specifically for city driving. It’s engineered to handle city hazards with the same reliability and with the same vigor an offroad vehicle handles offroad hazards.
Consumer Promise
Since the Mitsubishi ASX can handle big offroad hazards, it can certainly handle city roads. And it’s small enough to comfortably drive around town.
Visual: A pool of piranha showing teeth and thrashing around in a puddle on a city street.
Copy: “The offroad citysized.”
Agency: Arnold, Boston, USA
Chief Creative Officer: Pete Favat
Creative Director: Paul Schauder
Associate Creative Director: Brain Hayes
Art Director: Mark Bangerter
Copywriter: Nikhil Aima
Illustrator: A. James Stone
Photographer: Stock
Art Producer: Kathy McMann
Copy: “Surprising power. Do stuff.”
Positioning
RadioShack is often associated with just electronics and electronics parts for tinkerers, but really it offers everything your electronics might need, including proprietary batteries. To raise awareness of RadioShacks batteries and their strength, this campaign seeks to engage the viewer by evoking the playful inner child and imagination. By showing how electronics using Radioshacks batteries might perform, the campaign will appeal to this target markets natural pretension to curiosity and imagination, creating a perceived affect of greater strength from Radioshack batteries.
Consumer Promise
RadioShack batteries are so strong they will make your toys perform like the real thing.
Visual: A toy boat is shown pulling a wake boarder.
Copy: “Surprising power. Do stuff.”
Agency: BBDO Guerrero/ Proximity, Philippines
Chief Creative Officer: David Guerrero
Exectuive Creative Director: Brandie Tan
Creative Director: Ray Tiempo, Gary Amante
Art Directors: Gary Amante, Peepo David
Copywriter: Ray Tiempo
Producer: Al Salvador
Retouchers: Vilma Magsino, Oliver Brillantes
Photographers: Paolo Gripo, Abet Bagay
Copy: “For persistent headaches.”
Positioning
Everyone has had a headache that is tough to shake. The type of headache that causes every movement to be another swelling blow to the head with no sign of subsiding. The type of headache that with everything we seem to do, it seems to do to us. And through the pain we suffer. We suffer because we’re busy, we’re at work or because we think there’s simply just no cure for this kind of headache. But it doesn’t need to be like this. Not with Saridon headache medicine it doesn’t. By illustrating the toughest of headaches in relatable scenarios we can reach the consumer on an emotional level by putting them in familiar situations.
Consumer Promise
Sharidon will cure your most painful and persistent headache.
Visual: A man playing softball is up to bat getting ready to swing. Behind him is himself getting ready to swing a bat at his head.
Copy: “For persistent headaches.”
Agency: Leo Burnett, São Paulo, Brazil
Creative Director: Ruy Lindenberg
Art Directors: Renato Butori, Alexandre Pagano, Henrique Del Lama
Copywriter: Mario Cintra
Illustrators: Vetor Zero
Positioning
As a first response crewman you encounter all types of emergencies, and no matter the breadth you must be equipped to respond quickly and with resolve. In years past, the fleet managers options for emergency response vehicles has been limited until now. To make a splash in the market, this campaign will draw interest to the relevant target viewer with illustrations that highlight the vast spectrum of emergencies response teams may encounter in the field. The illustrative style is to be whimsical and stylized to avoid gruesome imagery while scenes are to depict outrageous scenarios to highlight the range of emergencies teams may encounter.
Consumer Promise
Fiat first response vehicles are equipped to resolve whatever emergency team may encounter.
Visual: A small but happy baby is stuck up in a tree on a branch.
Copy: You never know how big a problem you will find. Introducing the Fiat ambulance line.
Visual: A staircase is shown with an old women at the base, her body contorted as she lays on the ground. She’s conscious but appears a little worried. Her walker lays sideways next to her.
Copy: You never know how big a problem you will find. Introducing the Fiat ambulance line.
Agency: Filadélfia, Belo Horizonte, Brazil
Creative Director: Dan Zecchinelli
Art Directors: Ricardo Matos, Rafael Gil
Copywriter: Fabiana Soares
Illustrators: Aderson Fagundes, Rafael Gil
Positioning
There’s life before you use Kanechom, and then there’s life after. Every aspect of your social life to your work life will improve after Kanechom.
Consumer Promise
After dying your hair with Kanechom your life will significantly improve.
Visual: Clean open background. Nasty hair on the left, nice hair on the right, and a box of Kanechom hair dye in the middle. Three dotted lines extend down evenly from the nasty hair and three from the nice hair.
Copy: Below the three dotted line on the side of the nasty hair reads “187 Facebook friends.” On the side with the nice hair the first point reads “248 Facebook friends.” The second reads “319 Facebook friends.” And the third reads “597 Facebook friends.”
I’m listed in Tumblweeds, a user-generated community directory that rates Tumblr bloggers by their number of followers. Find me listed in #advertising, #marketing, #creativity
Agency: Leo Burnett, Taipei, Taiwan
Art Directors:Jacky Chen, Alex Liu
Copywriter: Phoenix Tsai
Copy: “Always Progressing.”
Client: Johnnie Walker
Positioning
Behind the label of Johnnie Walker is a rich heritage, a whiskey with bold and intricate flavors, and an attention to detail unsurpassed by any other whiskey distillery. To drink it is to yourself become these things. These things of sophistication, distinguishment and the sort of pride you earn through your journeys. The brand is personified in this way through narrative and detailed illustration.
Consumer Promise
Johnnie Walker whiskey is not a simple whiskey. It is for those who know they’ve earned it.
Visual: Gold label unraveled. From beginning to end of the label is an illustrated scene of the Johnnie Walker character advancing through various triathlon and Olympic like athletic endeavors.
Copy: “Celebrations are earned.”
Agency: Momosapiens, Marseille, France
Art Director/Copywriter:Simon Reynard
Photogrpaher: Peter Beavis
Copy: “The beginning has never been this close to the end.”
Client: A short film festival.
Positioning
No matter who you are, you’ve experienced the fleeting passing of time while living a memorable moment. It always seems that the best times in our lives are over before we know it leaving us with only our fond memories. And that is exactly what this campaign seeks to evoke: The feeling that this festival and it’s films will leave lasting memories in too short of a time period. So many memories, in fact, you’ll think you’ve lived a lifetime. To further connect the ads to the festival, each one will present a conceptual synopsis of a film by blending the beginning with the end or by conceptually using the films key characters.
Consumer Promise
You are sure to remember these curiously short films.
Agency: Dufresne Corrigan Scarlett, Levallois, France
Creative Director: Paul Lê
Art Director: Catherine Renzetti
Copywriter: Grégory Tortes
Photogrpaher: Romain Laurent
Copy: “No luck at all? Have a curly ball.”
Positioning
In everyone’s life there are trials. Times in which things are either at there worst or closely approaching. With so many looming stressors in our lives, we naturally gravitate towards those simple pleasures that take our minds off life. Be it a weekend hobby, a nightly television ritual, or physical activity, we all do things just for ourselves. And that is why people should eat Curly Balls—just for themselves. No matter how bad things get, it won’t matter if you have Curly Balls.
Consumer Promise
Curly Balls are so good they’re the only thing you’ll have on your mind while eating them.
Agency: Sancho BBDO Bogotá, Colombia
Creative Director: Hugo Corredor, Giovanni Martinez
Senior Art Director: Andres Maranta
Senior Copywriter: Juan Gomez
Retoucher: Andres Maranta
Photogrpaher: Luiz Moretti
Production Company: Ochurus!
Positioning
It’s okay to do altruistic things selfishly. In fact, you’d be surprised just how good you’ll feel about yourself while doing them. And if that’s why you do these things, it’s still okay because those who are affected by your actions will be grateful all the same. That’s what these ads will do. They focus the viewers attention to the emotional response adopters experience from the child’s response and stimulate their innate need for self happiness. Ads remind viewers that adoption is not only obviously rewarding for the child, but equally rewarding for the parent.
Consumer Promise
Adoption is as rewarding for the parent as it is for the child.
Agency: Neogama BBH, São Paulo
Art Director: Thiago Cruz
Copywriter: Raphael Quatrocci
Illustrator: Fernando Dias de Souza
Copy: He’s not worth crying for. Do you want to sleep at my place?” Pay-off: Mentos Single Pack. Selfishness without guilt.
Positioning
By poking fun at humankind’s selfish nature, the campaign is a wink to selfishness. Everyone has been in the situation of feeling obligated to kindness—be it when popping a mint or in other situations. Mentos single serve mints alleviate the need to offer.
Consumer Promise
People won’t be offended if you don’t offer.
Agency: Y&R, Paris
Art Director: Gregory Jeanjacquot
Copywriter: Nicolas Gerard
Illustrator: John-Paul Thurlow
Client: Surfrider Foundation
Copy: Each year, millions of marine animals are killed by our rubbish. Sign the petition against marine debris at notonourbeaches.com.
Positioning
Everything on the planet is interconnected. Though as individuals our actions may seem isolated, collectively they yield devastating effects on our planet. This campaign reaches out to the individual so that we may may changes as a whole. Artwork is hand drawn to show horrific images meant to visually arrest the viewer. In each piece a single person will be committing an act of murder while a vessel resides in the distant background to subtly show how it takes many people to allow just one person to commit murder through reckless waste.
Consumer Promise
Collectively we can save the lives of marine animals.
Agency: McCann Erickson, Bogota, Colombia
Creative Directors: Samuel Estrada, Daniel Andrés González
Art Directors: Daniel Forero, Alex Argüello
Copywriter: Andrés Celis
Illustrator: Mor-8
If you so choose to see it this way, everything is on the brink of destruction. In many ways we are all just moments away from a life altering tragedy. But it’s your life circumstances that may determine if you see it that way and with ETB Insurance we cover everybody. So, your life circumstances are more about enjoying yourself and less about worrying yourself.
Consumer Promise
ETB will insure what we say we will insure.
Agency: BorghiErh/Lowe, São Paulo, Brazil
Art Director: Rafael Segri
Copywriter: Gilmar Pinna
Creative Directors: José Henrique Borghi, Erh Ray, Fernando Nobre
Photographer: Paulo Risi
Positioning
End a big problem with small a solution. This campaign makes poverty relatable to the middle-class, by emotionally connecting basic human elements we all experience despite our social-economic status. Elements like food, water, shelter, rest, love and comfort will be used to draw on the human spirit and create a sense of need. To further the connection, elements from the “impoverished” will be replaced with elements from the “upper-class” to show how the impoverished life can be dramatically improved with just a “middle-class” donation.
Consumer Promise
A small donation will go a long way.
Agency: Y&R, New York
Art Director: Alexander Nowak
Copywriter: Feliks Richter
Typographer: Jessica Hische
Illustrator: Andrey Gordeev
Digital Artist: Raul Pardo
As an aspirational campaign to encourage everyone to brush, the ads will support the more generalized action of basic hygiene, brought to you by Colgate. Since brushing your teeth is common hygiene everyone should maintain daily, the “Healthy for Everyone” campaign implies that the basic need for healthy teeth can be a benefit for all. The campaign will draw a connection from your healthy teeth to the well being of those around you. As a more conceptualized concept of healthy is illustrated in the ads, viewers will deduce that by not brushing my teeth I’m hurting those around me who must suffer through my bad breath and unsightly teeth. In addition, ads will attempt to appeal to the younger demographic with whimsical illustrations while engaging the core buyers of the segment with conceptualized, story-like ads.
Consumer Promise
Colgate tooth paste will keep your teeth healthy and others will notice.
Agency: Euro RSCG, Dusseldorf
Art Director: Alexandros Antoniadis, Felix Glauner, Karl König
Copywriter: Martin Venn
Photographer: A. Zander, Nastenok
Illustrator: Siggi Diersch
Positioning
To peek interest, print ads will not feature the vehicle and will instead focus on its 100% electric power to drive sales. To do this, clever ties between electricity and features of the vehicle will visually illustrate how components of a traditionally fueled vehicle have been “electrified.”
Consumer Promise
The new iOn is 100% electric and doesn’t sacrifice power or amenities.
My dad gave me this camera for Christmas. It was his fathers who got got while stationed in the America Occupation Army in Japan during WWII and this particular model was only produced in the latter half of 1948. The coolest thing about it is there’s still a roll of unprocessed film in it.
My dad gave me this camera for Christmas. It was his fathers who got got while stationed in the America Occupation Army in Japan during WWII and this particular model was only produced in the latter half of 1948. The coolest thing about it is there’s still a roll of unprocessed film in it.
Warner Bros., threatened to sue me over my V for Vendetta poster so Society6 immediately took it down. I’ll be posting a revised edition soon. Sorry for the radio silence ya’ll but I’ll be back to it soon.
Big THANK YOU goes out to JetPens.com for my new favorite Palomino Blackwing pencils I received in my complimentary artist package (great marketing technique btw). I absolutely love the richness of the graphite. The eraser is a great idea and engineered well-they actually slide out to reveal more for once you’ve used up the part that is showing and the shape allows for precision erasing. Unfortunately, I haven’t found a paper that allows it to cleanly erase heavy thick lines though. At lighter weights it works great but nothing beats a kneaded eraser. Overall, huge thumbs up from me on these. This pencil will be replacing every other pencil in my drawer. Buy them here.
Complimentary artist package from JetPens.com is on its way. I’m gonna hold off on the next poster for a few more days so I can try out the goods. Can’t wait! Stay tuned for photos and a review. Thanks JetPens.com!
Use this link to get FREE SHIPPING on prints, shirts, hoodies, phone cases and more. Special is running now through the 12th. Get in there! http://society6.com/DrewWallace?promo=fd46b3
Remember remember… Now available for purchase as a phone case, laptop skin, shirt and more. Check it out here.
Not long now till it’s in the store. #vforvendetta #movie #poster #print #art #handlettered #selfmade #typography #drawing #sketch #concept #anonymous #political #politics #election #vendetta #handlettering #igers #igdaily #ignation #instahub #instagood #instamood #iphonesia #iphoneonly #instagramhub #instamillion #bestoftheday #photooftheday #denver #colorado (Taken with Instagram)
#alltimebest #pencil #sharpener #handsdown #staedtler #graphite #drawing #art #instahub #instagood #instamood #igers (Taken with Instagram)
Anyone know what movie this quote is from? The finished poster will be in My Store later this afternoon.